Six fantastic and fearless women from the American Women’s Club in Zurich met with me today to sketch Ankerstrasse of all places – thank you ladies!
After teaching them three simple techniques to capture the city in ink and watercolour, we found a great spot to sit and sketch the world going by.
I was so impressed with their stamina, desire to sketch and the beautiful images they created. It was a super experience – sketching as a part of a group is so much fun.
And we got lots of practice – three hours – so I think the answer to how to keep warm is to sketch like mad.
Still, fingers do tend to get cold and then you get chunky sketches.
You can either pop into a café to warm up or wear super thin gloves made of flexible fabric so you have warmth and dexterity. I use a fine pair of wool gloves which are actually meant to be worn under other mittens.
Looking forward to more sketching with you ladies!
I had a little time between appointments yesterday – near Zurich’s main station. So I jumped at the chance to go to the Landesmuseum and learn a bit about the Dadaists and Dadaism.
And found…a urinal referred to as both the modern ‘Mona Lisa’ and the most important art work of the 20th century. What you been smokin? was my first thought actually. So insightful, I know. Then, as you can see, I sketched Marcel Duchamp’s masterpiece.
As I drew, I thought even if Marcel was taking the piss (he wasn’t actually, he was rebelling against the horrors of WWI) – this is definitely something you’d find in Switzerland – an absolutely immaculate toilet.
Switzerland’s major contribution to art history, Dadaism was founded in February 1916 by immigrants and exiles at Zürich’s Cabaret Voltaire. The art movement tapered off around 1924, but led to surrealism and eventually the early roots of punk.
The multimedia exhibition is small – easy to see in an hour and then stop for coffee at the museum café – and open until 28 March. The CHF10 ticket price also gets you into the rest of the museum where there are plenty of sketching opportunities – so on a rainy afternoon – why not?
The highlight for me – four black walls of floor-to-ceiling visitor grafitti enclosing the exhibition. You are invited to doodle or scribble your response or non-response to Dada right there on the wall. I think the Dadaists would have loved that. I sure did.